By Alastair McKay | 19 June 2015
As that great punk rocker, Marcel Proust noted, remembrance of things past is not necessarily a remembrance of things as they were. Big Gold Dream, a documentary by Grant McPhee, re-imagines the musical history of the post-punk period as it unfolded in Edinburgh and Glasgow, and makes a persuasive argument that something great was happening in the years which followed The Clash’s appearance at the Edinburgh Playhouse on 7 May, 1977.
In the myth, which may be true, that show inspired Orange Juice and Fire Engines, though with typical perversity it was the performance of support act, Subway Sect, which fired their imaginations.
Postcard Records was run from a wardrobe in the bedroom of a flat in Glasgow
“It was,” Fire Engines’ singer Davy Henderson told me, “a monochromatic image of otherworldliness, but rooted completely in the now. These people looked exactly like you. They had what looked like their school greys on; grey breeks, and white shirts, and the v-necks. They looked exactly like where you’d just been – at school. It was as if they’d just landed from nowhere. They were unidentifiable.”
Read more here
Edinburgh’s historic West Port: Most notable for Burke & Hare, strip bars and… The Cas Rock.
When seminal West Port punk bar The Lord Darnley was taken over in 1992, a name change followed. The bar was refurbished and changed to The Cas Rock Café – the café part swiftly dropped following a few legal noises from the new Hard Rock on George Street.
Devoted to a mix of punk, rock, metal and indie music, the Cas was a tooth-cutting shop for aspiring local talent, as well as attracting a string of household names: UK Subs; Snow Patrol; Idlewild; Annie Christian (signed by Virgin records the night they played); Mogwai; The Fall; Teenage Fanclub; New Bomb Turks; The Meteors; Cornershop; Arab Strap; BMX Bandits; The Vaselines, to name but a few… Today’s Bannerman’s Bar residents, the Rab Howat Band, played to a crammed Cas audience each Saturday afternoon.
Read the full article here http://foodanddrink.scotsman.com/drink/six-lost-edinburgh-pubs-and-clubs-youll-remember/
As some of you will know the Tron Church was already booked out this year for mid July and August but we have not one but two excellent alternatives to cover so we will continue to be open seven days a week. Will make a decision on that soon but neither are far away and will give us more space for the busy Festival period. Plan is to return at the beginning of September permanently and I will be looking to tweak a few things and maybe more !
A couple of you have spotted that Espionage has only now just been bought out of administration which explains why the shop next door we were asked to look at was a problem but does not explain why we were told it had been taken out of administration in September of last year. Annoying to say the least and wasted a lot of time but at least there is finally an explanation of sorts. A real pity as it would have made a great temporary home.
You will find a recent update on the King’s Stables Road site on the blog and there has been no further news since. It looks like it could end up being a massive lost opportunity not just for the arts but in the long term aim to bring people to the castle end of the Grassmarket and continue either along the West Port or King’s Stables Road. While the current plans to turn the Grassmarket into the new Covent Garden look good on paper I’m not sure the public really care about the ideals espoused.
As for the City Art Centre the new exhibition is in and still there is a vast amount of unused space on the ground floor. I have been asked by several people not to give up on this one including a customer who thought the Scottish Music Centre was a fantastic idea and he should know as he had been part of the plans to extend the centre into the gap site before they were scrapped. I’ve had one informal meeting with the council since and the idea has not been completely forgotten however I really don’t have time to keep chasing this up no matter how well received.
My time at the Tron has shown the wider interest there is in Scottish music from Orange Juice and Josef K through to Frightened Rabbit and Biffy Clyro and visitors who I mention the idea to always think it would be great to see more of the history of Scottish music be that the bands or indeed the old labels and venues. A trial of sorts may happen in the not too distant future.
Finding a viable niche for Avalanche is not proving easy. People really love the posters and there is still huge interest in Scottish bands if not the same sales. More and more customers are happy just to accept my recommendations after describing the sort of thing they are looking for. A surprising number simply want my favourite album which is good news for There Will Be Fireworks, Withered Hand and a few others. However this is not enough. The second hand vinyl helps a lot and a core of supportive bands, labels and record companies make a big difference but generally shops are expected to live off crumbs.
There is always interest in the old Avalanche label and Snapper’s “Shotgun Blossom” will be the first to be reissued probably later this year. I’m currently looking at an offer to start a new label financed by a major local company and have offers to associate the Avalanche “brand” with other events and projects though as ever the problem is how this can bring in revenue rather than credibility. I’m very hopeful there will be something to announce very soon. It would be great to get more local band albums on vinyl and widely distributed while acknowledging that new vinyl sales are not all they are cracked up to be.
While HMV and FOPP’s vinyl stocks have improved immeasurably, which of course is easy to do when you are not paying for it, offers of help from both individuals and those in the music industry may mean we will be able to stock a far wider range in the future that gives a genuine alternative to the “look how cheap we have the first Stone Roses album concept”. More on that in the next couple of weeks.
Realistically I’ll need to see how all these possibilities pan out and choose to go with as many as I have the time for. It never ceases to amaze me how fondly Avalanche is remembered. Just recently it was a guy from Dresden who hadn’t been in for 17 years but whose first thought back in Edinburgh was to search us out and get a t-shirt to replace his rather worn bag. I can only say as I’ve said many times before thank you to everybody for their kind words.
We are in need of more used vinyl so do get in touch if having a clear out. We are happy to buy whole collections.
Lots of exciting news and updates to come but first more used vinyl please !
0131 260 9971 or firstname.lastname@example.org
I went along to the public presentation of the developer’s plans for King’s Stables Road on Wednesday (17th June) and to be fair the model they had on display showed very clearly what was intended. Unfortunately however that was 250 student flats, a 130 bed hotel that they are hoping will be better than a budget hotel, an “arts cafe” and some artisan studios with more flats above. The courtyard previously assigned to the hotel in an article I’d read is up for discussion.
So where have Peveril the developers found that extra 5 million pounds they offered more than anybody else. Well the two storey building at the back of the courtyard will be an extension of the hotel whereas in other plans all the ground floor was dedicated to the arts. The arts cafe which others sensibly allocated as an arts/retail/cafe space with no commercial rent due will now be run commercially. Other than that is is hard to see were they are finding all the extra value.
Expert advice I received said that the space allocated for studios was really too small and better uses could be found though “artisan studios” of course makes things sound better. Arts organisations have been asked to submit ideas and I’ve no doubt some will sell their souls to the developers rather than explain what could have been. The developers would certainly be better off trying to identify a really good arts leaning cafe than turn to arts organisations but off course that wouldn’t look good with the council. As for making the place an attraction outwith the “arts complex” that seems to have gone completely out of the window.
Given the council’s constant message to me that credibility and deliverability were all important what is most surprising is every element of the developer’s plan simply consists of them asking somebody else to identify what to do. Their plans consist of nothing but blank pieces of paper with headlines written on. “Student Flats”, “Hotel”, “Arts Complex”.
Certainly the idea that this site would be part of an arts hub spreading out to the Usher Hall, Filmhouse, Art College etc has gone. It is a huge blow to the Grassmarket with its well documented footfall problems and a lost opportunity that only makes sense financially and in the very short term. Even then that assumes the developers can get through planning and that seems impossible if they are held to the original brief by the council’s planners.
Make no mistake Peveril have simply done their job securing the site for student flats and a hotel, it was up to Edinburgh Council to make the correct decision given their own brief which so clearly understood the problems faced and what was needed.
There were hopes that the car park in King’s Stables Road would be demolished one day and the transformation of the road complete but for now with the current plans for King’s Stables Road I can’t see any light at the end of the tunnel.
Yesterday we had four German girls looking at the vinyl for ages. They pulled out all the new Beatles albums in particular and after much discussion settled on “Let It Be”. Half an hour later they were still looking, excitedly chatting, pulling out albums they recognised, taking photos and generally enjoying themselves which of course is hard to begrudge. Eventually they returned to the new LPs and after more discussion put “Let It Be” back in the rack in the wrong place and the wrong way round !
I’d seen an older couple waiting to get to the same rack and immediately the girls left the guy walked over picking up a new album and holding it up to his wife. I went to put the Beatles album back in the right place and see what he was holding up so excitedly but before I’d had chance his wife had taken a photo and they too had left.
A minute later one of the German girls returned having I suspected second thoughts about passing on “Let It Be” but instead she brought a second hand Johnny Hates Jazz LP to the counter for £3.
Make of it what you will but without doubt the majority of the public, even those of an age to remember the “old days”, now use record shops in a completely different way and little of it has to do with buying anything !
I never expected our blog to be so well read or our twitter comments and facebook posts to reach so many people. The visible stats only tell a very small part of the story and it is day to day contact with people from all over the world renewed now we are at the Tron Church that brings home how how many people read what is said without any need to feel they should comment themselves or like or RT much as I do myself .
Blogs and comments weren’t meant to be perceived as documenting a struggle or indeed the putting right of wrongs though I can see as things have developed that being an understandable perception. The fact that much of what I’ve predicted especially for the Grassmarket has come true has only reinforced the notion. Record Store Day won’t save record shops as many of us understand them and neither will vinyl but they will put off the inevitable need for something more drastic. HMV’s strategy of not paying market rent, having less staff and not paying for stock until sold while pretending they are being saved by vinyl and in-stores is not a long term solution but if it gets them through to next year ………..
Similarly the online music pundits tell artists to milk their superfans for all they can without any thought seemingly for how this works for new bands in the future who don’t have superfans. Strategies are based in the past and whether it is reissues on Record Store Day or big bands with no need to use crowd funding platforms doing so to get all they can from their fans it still leaves the question how do new artists with their new music move forward.
I wouldn’t be happy simply pointing out how everything will fail and I think what has been good about getting back onto the high street and meeting lots of new people is that it has given me an insight into how things don’t have to be this way. While I’m used to dealing with the music industry what has been an eye opener is how dreadful Edinburgh Council are in virtually every department I’ve been unfortunate enough to have dealings despite undoubtedly having many good people working for them.
I am of course accutely aware I’ve failed to change anything and if there is one thing I regret most it is that the bidder we were aligned with wasn’t successful with his bid for the King’s Stables Road site. That is a double whammy in that it affects both the arts and the future of the Grassmarket. Being at the Tron has only made me appreciate more what an opportunity the site was and the difficulties it will face.
So many thanks for all the kind comments and support and Avalanche will continue to move forward as best we can in what are undoubtedly very difficult times for both the arts and retail.
The key to the bidding for King’s Stables Road I was told over and over again by Edinburgh Council was credibility and deliverability. All the bidders would be expected to be able to build hotels and flats and be able to raise the money to do so but too many times developers had promised to deliver arts projects and fallen short so this would not be allowed to happen again. What is more there was a double whammy in that the whole complex would need to also address the current footfall issues suffered by the area. To this end there would not only need to be interesting retail and an arts space to add to the expected flats and a hotel but the area would also need to be an “attraction”. Those of you who followed my comments at the time will know all this to be true from what was said.
The council were happy I could deliver interesting retail and I immediately brought in an expert in delivering arts studios and spaces in Tom Watton who had recently finished the development at St Margaret’s House. The council were sufficiently impressed to recommend us to several developers. Unfortunately it quickly becane clear that only one developer was taking the arts and retail complex seriously. Emails begining “we are primarily looking to build student flats but thought maybe we could add in some of your ideas” didn’t inspire confidence.
Regular discussions with the council only reinforced the idea that money alone could not buy this site as without planning, offers of large amounts of money meant nothing and without embracing the arts and the footfall issue planning wouldn’t be granted. I was impressed by the council’s thoughts on the site and the problems it faced. More importantly whoever I spoke to within the council they all seemed to be on the same page in what was needed. The space under the private flats earmarked for retail had to be opened out onto King’s Stables Road and planning had already been agreed to extend the pavement so people could sit outside and the “buzz” could be seen from the Grassmarket. The site would need to benefit the Grassmarket economy and attracting high spending visitors would be essential. A budget hotel would not fit the bill at all. My ideas of creating an attraction based around he Grassmarket’s history with horses was well received.
It was also made clear that getting through planning first time was essential. As it was it was expected to take a year for the deal to be concluded and no further delay would be acceptable. Consequently it was paramount that local businesses and residents were on board with any plans submitted. This is why I was so surprised as were the other interested parties that no contact was made by any developer except the one I had had talks with. At a meeting with the winning bidder’s representatives for planning and PR I was told they had an email confirming at no time did Edinburgh Council ask for or imply that the local community should be consulted prior to bids being made. That is simply bizarre.
So the bidder I had spoken to seemed to have a good chance of success. He was amongst the highest initial bids and would deliver everything the council wanted and more with relation to the arts and supporting the area. He had met with the Grassmarket BID and promised the local businesses and community support while the project was being finalised and then built and indeed would pay to secure the site so some events could start to take place immediately. So keen were Peveril, the winning bidders, to have some good news they jumped at the chance to agree to the Hidden Door Festival and then admitted to me Edinburgh Council had been less than happy as it was not really in their gift unless agreed with the council who own the land and were now put in a position of looking bad if they said no.
With seven bids shortlisted it was quite possible another developer might come up with more money and some fancy London plans for an arts and retail complex and my bidder would lose out but I never expected what I was told when Peveril wee confirmed as the successful bidders. They had simply offered “loads of money”. In fact as much as 5 million pounds more than anybody else. On the other hand, and this again was confirmed at our meeting, they had no plans for an arts/retail complex simply a commitment to build one. They had a blank piece of paper and would consult the community and what they wanted. They have since met with the BID and were unable to deny there would also be a budget hotel saying as they said to me they would “go to the market”. Again odd as the developer I had spoken to had an impressive US hotel signed up if his bid was successful.
I have been asked if there is any chance I would work with Peveril given I have the trust of many of the parties involved to do what is best for the area and I haven’t ruled it out nor I should add have I been asked. However the stumbling block must always be that they have no expertise in building an arts complex and more importantly they have to recover all that extra money they have offered and that can only be done by scaling down any ideas for the arts complex dramatically. I have made enquiries as to how after all that was said the council simply took the money and all I was told was that the decision was made at the highest level.
It does seem as if the Grassmarket has been short changed dramatically again. After the disruption of the pedestrianisation all the promises made for events in the area disappeared as Edinburgh council put all their efforts and cash into the problems the tram works were causing businesses. What is more the Essential Edinburgh BID which has a council member on its board then did its best to keep all the Christmas and New Year business to itself and the devastation to the Grassmarket is well recorded. Again how the council justify this I have no idea but so many well known businesses have been forced to close culminating in the closure of Helios Fountain and Christmas trading has played a large part in this. The Grassmarket BID could undoubtedly have done more but faced with competing with the cash rich Essential Edinburgh BID they were always fighting a losing battle.
I know some want to question the King’s Stables Road decision and I’m not sure what can be revealed but a starting point may be the chair of the meeting who made the decision which is Councillor Frank Ross email@example.com
Again I know those affected by Essential Edinburgh, and it is not just the Grassmarket, would like to know how the council can justify suporting one area at the expense of others. The full board is here http://www.essentialedinburgh.co.uk/about-us/the-board/ and the council’s representative is Councillor Frank Ross firstname.lastname@example.org As you will see those quirky Grassmarket traders are expected to compete with Harvey Nichols, RBS, John Lewis, McDonalds, The Balmoral Hotel and Standard Life to give but some of the big names.
Personally what is most annoying here is that I fell for Edinburgh Council’s promises not once but twice. The Grassmarket would have been a completely different place if they had followed through with their ideas. “There is enough power for a U2 concert” I was told and while I didn’t expect Bono I also didn’t expect to be told the person assigned by the council to help organise events hadn’t had their contract renewed or that the Christmas market was cancelled. I’m only one of many for whom the council’s decisions have had a huge financial consequence and it is understandable that now being charged extra for the BID to oversee an ever declining footfall has proved too much for some.
Again Edinburgh Council were so convincing with their ideas for the King’s Stables Road site partly I’m sure because the views expressed were genuine. Clearly a lot of thought had gone into what was needed and it would seem that despite many people’s best intentions somebody decided to simply take the money. Even as a financial decision this is still wrong as the damage to the Grassmarket economy will easily exceed any extra money the council have made by accepting such a high bid. That no other developer came close is surely a clue.
The first consultation I’m told is in June. Hopefully by then they will have written something more on that blank piece of paper than “arts complex”.
The proposal I was involved with for King’s Stables Road is here
This post will be long enough so I won’t get into the rights and wrongs of the recent comments from the small indie labels Howling Owl and Sonic Cathedral about Record Store Day which got so much media coverage but you can read them here http://www.recordstoredayisdying.com/
Record Store Day replied and their statement is here http://www.thevinylfactory.com/vinyl-factory-releases/exclusive-record-store-day-responds-to-accusations-of-betraying-small-labels/
Finally Jon Tolley of Banquet Records in London made his own very pertinent comments in mothersdayisdying.com
and Jon’s blog gives me the framework to make my own observations as somebody who was there at the start of RSD and knows more than most about how it has developed to the point we have reached today.
So here we go ! First of all nothing but respect that Jon took the time out from running one of the busiest shops in the UK to say his piece. Like Jon I certainly didn’t take any of the labels’ comments as being against record shops. That RSD affects small labels adversely is of course true but so is the fact that RSD is about independent record stores and nobody else.
Finally though we start to differ. Reducing the number of releases is easy if the rule I remember is simply applied. Does the release have a fair chance of selling the minimum 500 copies required in shops without the need to resort to online sales ? As is regularly pointed out that is only a little more than 2 per shop. Are multiple releases from one band reasonable ? Of course not. Is 20+ releases from one small label cashing in on RSD ? Of course it is. If Spencer Hickman is indeed still in charge of such matters then again I disagree with Jon’s assessment. However with regard to ERA and Kim Bayley I must agree that that the effort they put in is way more than could be justified by size of membership.
On another matter I did once suggest that labels and bands should be able to demonstrate a support for independent record shops all year and not just RSD. The reply quickly came back that would leave a very small list indeed !
As far as I’m concerned whether RSD helped the resurgence of vinyl is debatable. RSD very quickly became a collectors’ day while the resurgence such as it is is about something else. That for many RSD is bigger than Christmas should be viewed as a massive problem except when it comes to the bank balance. And this brings us to the nub of the problem. The original ideals of Record Store Day were based around getting people back into shops liking what they saw and coming back. Releases were just a part of that. At the core of RSD now is the principle repeated to me many times that it is about rewarding shops that support record companies and labels all year. As such this is something I agree with but it causes a massive problem. First of all it hands over control to the labels and again I’ve been told many times RSD is now really run by the labels to the point when it was suggested that maybe RSD might take a year out many labels deemed it unacceptable. Even more importantly it only increases the gulf that exists between shops and how they are faring with London/southern shops in particular being rewarded for doing well with large quantities of a release while shops doing their best away from the capital receive small quantities. At worst and this is a regular occurrence titles that some shops ran out of early on RSD are being put up on sale online a week later by other shops.
I should say I’ve no query over how Avalanche has been treated over the years but it is time to admit that Record Store Day as it was founded is dead. The idea of releases only on sale in shops and of a quality that they were sure to sell out but not too quickly has long gone. Many shops would admit they will be lucky to see most of their RSD customers back until the following RSD and of course straight after RSD things will return back to normal with most labels and bands doing their best to sell directly to fans. As for the mayhem a week after RSD when the stock goes online the clue is in the name unless they want to rename it Record Stores Online Day. I don’t think it is right to say the majors have taken it over. Some big and small indie labels alike also see it as an opportunity to “cash in” and while nowhere near all the stock will be sold they will then be able to sell it themselves while shops are stuck with stock on firm sale.
So Record Store Day is dead. Long live Rewarding Busy Record Stores Day.